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home grown "innocent girl" that was featured in the regular Disney TV series, Hannah Montana and decided on growing up fast, faster than her presumed public audience wanted, were comfortable with or desired.
The elusive media darling may have been scared about her future. She already knew the fate of Fred Savage of the Wonder Years. All grown up and already a footnote after hitting his twenty. She also knew of Shirley Temple, an international child star whose career withered and retired at 22. How can Miley avoid the trap of child stardom? How can she tell the world she wants a different career track and shed her little girl image?
Constant appearances in a successful TV show creates a very powerful brand position. It's like having your own commercial, week after week, a commercial that lasts not 30 seconds or one minute like a product spot, but an entire half hour - and a highly successful show lives on in reruns for decades.
If you don't understand what we are talking about take a look at the editorial video montage for the art house movie, Get Low, a film review appeared in the 2010 edition of West Coast Midnight Run™.
Kind of like the spiel Jor El (Russell Crowe) makes for the reason Kal El (Superman) is given a chance different than all others born test-tube production-style on the planet of Krypton.
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